'Not surprisingly, her [Laura Muntz Lyall] paintings were consistently in demand by patrons in Canada, and, despite the number of talented artists who then portrayed women and children, she was considered the most important painter of children at the time' — Joan Murray

An extraordinary early and Group period work by Arthur Lismer that depicts the Bon Echo Rock on Mazinaw Lake. In size and immediacy, the quickly executed sketch entitled, Bon Echo, c. 1921-22, is a descriptive and emotional testament to the grandeur and natural beauty of the Bon Echo Rock.

This exhibition will be the first authorized tribute to Little's career, and the opening in Toronto will mark the first time an important presentation of his work will be seen in that city. Although he has always preferred to remain out of the limelight, we are grateful for his encouragement...

Alan Klinkhoff Gallery is proud to introduce a new version of our industry-leading website Klinkhoff.ca . This state of the art web platform was developed to provide our growing online audience with a more convenient buying experience while also allowing us to better share our family's 70-year tradition of expertise...

Tom Thomson was always drawn to the subject of trees; trees with spreading foliage beside streams, trees blown by the wind and bent over lakes; trees that many people didn’t look at or saw only as objects to be removed or “tidied up.”

'Norman Leibovitch devoted his life to painting. Now his work is deteriorating inside two dimly lit storage units, in danger of perishing.' Article by Wayne Larsen

In November, 2017, Alan Klinkhoff Gallery will celebrate John Little 's 65 year contribution to Canadian painting with an exhibition in his honour. John Little: City Life, 1951... will be featured at our galleries in Montreal and Toronto. If you have paintings by John Little that you wish to submit...

In November 2017, at our galleries in Montreal and Toronto we shall celebrate John Little’s 65 year contribution to Canadian painting . John Little is the leading Canadian urban artist of his day. Although Montreal and Quebec City are his painting places, his message is relevant to urban areas in...

Thanks to the generosity of the Klinkhoff family, we eighteen LCC graduates had the immense privilege of displaying our art at the prestigious Klinkhoff Gallery for a few days. Displaying our work has given us the opportunity to showcase our individual pieces, but also to highlight the importance of being...

In 1918, while recovering from his recent nervous breakdown, Lawren Harris began to focus on a new architectural subject: recently constructed houses in Toronto’s unplanned, blue-collar suburbs. Located just outside city limits, these unregulated settlements were widely known as “shacktowns.” In 1920, one art critic described the artist as the...

A Row of Houses, Wellington Street is Lawren Harris’ first major canvas depicting downtown Toronto housing. Signed and dated “L S H ’10” on the face of the picture, a faint inscription on the back of the original stretcher, retained and now attached to the current one reads “Street Painting...

In 1924 Lawren Harris and A.Y. Jackson spent August and early September sketching in Jasper Park in the Rocky Mountains. They first walked from Jasper Lodge to Maligne Lake. By horse they went on to the Colin Range, before hiking over the Shovel Pass to the Athabaska and Tonquin valleys....

In the fall of 1921 Lawren Harris and A.Y. Jackson painted in Algoma then travelled on to Rossport on the north shore of Lake Superior. In the autumns of 1922 and 1923 the two artists returned to Lake Superior, painting at Port Coldwell in 1922 and at Port Munro and...

As Rocks and Hill Rock and Hill may depict the same hillock as Morning Sun over Hill, Lake Superior , though here the light is clear, the foreground rocks more assertive and the lighter colours are darkly outlined asserting their sculptural form. The naked trunks reach up to the top...

When Lawren Harris returned to Toronto in 1908 following his studies in Germany, he painted the streets of the older areas of the city in an increasingly impressionist palette as well as landscapes of northern Ontario and the Laurentians. In January 1914, he and J.E.H. MacDonald travelled to Buffalo, New...

In May 1918, following his discharge from the army, Lawren Harris travelled to Manitoulin Island and up the Algoma Central Railway with Dr. James MacCallum, co-financier of the Studio Building. They returned to Algoma in the fall of 1918 with Frank Johnston and J.E.H. MacDonald and, in the fall of...

Harris painted in Algoma every year from 1918 to 1921, new travelling arrangements being made in 1919. 'The Algoma Central converted an old box-car into suitable living quarters, put in a few windows, four bunks, a stove, water tanks, sink, cupboard, two benches, and a table. We carried a one-man...

From correspondence, we know Harris painted around Banff in 1926 and around Lake Louise in 1928, yet there is little contemporary documentation about Harris’ trips to the Rockies after 1924. Nonetheless, it is clear from the volume of mountain paintings he exhibited in the late twenties that he frequently returned...

The first subjects Lawren Harris painted following his return from Germany in 1908 were street scenes in the older areas of Toronto. Harris explained that in his painting of Georgian houses, A Row of Houses, Wellington Street of 1910, “the endeavor was to depict the clear, hard sunlight of a...

LAWREN S. HARRIS, C.C., LL.D. (1885-1970) Sun, Fog and Ice, Smith Sound (Arctic Painting IV) , 1931 Oil on canvas 40 x 50 in. (101.6 x 127 cm.) Inscriptions: verso: top stretcher bar: in ink, by artist, “SUN, FOG AND ICE / SMITH 3865SOUND” / LAWREN HARRIS / 25...