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A.Y. Jackson
Jackson was “the real force and inspiration that led us all into a modern conception which suited this country…” - Lawren S. Harris-
A.Y. JacksonSt-Urbain, Quebec , 1929 (April)Double-sided oil on panel8 3/4 x 10 1/2 inIn April of 1929, A.Y. Jackson was painting in St-Urbain with his friend and colleague Randolph Hewton as his niece Naomi Jackson Groves wrote in her book, “A.Y.’s Canada” that there are 2 significant trails leading out of Baie St-Paul deep down in Charlevoix County where many of the now iconic artist of the period set out from for their sketching in the Charlevoix region, the luminaries include Fred Hutchison, Clarence Gagnon, Albert Robinson, Edwin Holgate, Fred Hutchison and Randolph Hewton. Naomi writes that “the...
22.2 x 26.7 cmCAD 55,000In April of 1929, A.Y. Jackson was painting in St-Urbain with his friend and colleague Randolph Hewton as his niece Naomi Jackson Groves wrote in her book, “A.Y.’s Canada” that there are 2 significant trails leading out of Baie St-Paul deep down in Charlevoix County where many of the now iconic artist of the period set out from for their sketching in the Charlevoix region, the luminaries include Fred Hutchison, Clarence Gagnon, Albert Robinson, Edwin Holgate, Fred Hutchison and Randolph Hewton. Naomi writes that “the... -
A.Y. JacksonOld Caley House - Dawson, 1964 (September)Oil on wood panel10 1/2 x 13 1/2 inDawson City, Yukon: The centre of the Klondike Gold Rush. At its peak in 1898, Dawson battled with Winnipeg for the title of the biggest Canadian city west of Toronto. From that time, until Jackson painted this fine work in 1964, the population of Dawson had dropped by over 90%. The end of the Gold Rush led to a massive exodus. During World War II, the military need for better logistics inspired the construction of the Alaska Highway, hundreds of kilometres to the south of...
26.7 x 34.3 cmSoldDawson City, Yukon: The centre of the Klondike Gold Rush. At its peak in 1898, Dawson battled with Winnipeg for the title of the biggest Canadian city west of Toronto. From that time, until Jackson painted this fine work in 1964, the population of Dawson had dropped by over 90%. The end of the Gold Rush led to a massive exodus. During World War II, the military need for better logistics inspired the construction of the Alaska Highway, hundreds of kilometres to the south of... -
A.Y. JacksonLes Éboulements, 1935 (circa)Oil on panel8 x 10 inIn his memoirs, Toronto dealer of yesteryear, Blair Laing, ranked A.Y. Jackson as one of his favourite artists. Of Jackson, he wrote: In my opinion, his most striking works are the colourful French-Canadian farm and village scenes of the 1920s and early 1930s. Picturesque, and painted in the Post-Impressionist style, which he learned in France, they are poignant reminders of the social and cultural significance of the Quebec rural communities of that time. Although not the first to paint the village life and farmsteads of...
20.3 x 25.4 cmCAD 50,000In his memoirs, Toronto dealer of yesteryear, Blair Laing, ranked A.Y. Jackson as one of his favourite artists. Of Jackson, he wrote: In my opinion, his most striking works are the colourful French-Canadian farm and village scenes of the 1920s and early 1930s. Picturesque, and painted in the Post-Impressionist style, which he learned in France, they are poignant reminders of the social and cultural significance of the Quebec rural communities of that time. Although not the first to paint the village life and farmsteads of...
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J.E.H. MacDonald
"In the formative years of the first nationalist movement in Canadian Art, no one contributed more both spritually and artistically than James Edward Hervey MacDonald." -Robert McMichael -
Edwin Holgate
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Lionel LeMoine FitzGerald
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Lionel LeMoine FitzGeraldNudeOil on canvas board10 x 12 in— This is a particularly fine painting by Lionel LeMoine FitzGerald, one showcasing the artist’s interest in the painting technique of pointillism. Our late colleague, the Toronto dealer Blair Laing, indicates on his label that Nude had belonged to the artist’s son, Edward FitzGerald. We can only speculate that Laing bought it directly from Edward. In his two volume memoir, Laing describes a visit from Edward FitzGerald to his Toronto gallery in 1961. He wrote, Edward went on to tell me that he had inherited...
25.4 x 30.5 cmSold— This is a particularly fine painting by Lionel LeMoine FitzGerald, one showcasing the artist’s interest in the painting technique of pointillism. Our late colleague, the Toronto dealer Blair Laing, indicates on his label that Nude had belonged to the artist’s son, Edward FitzGerald. We can only speculate that Laing bought it directly from Edward. In his two volume memoir, Laing describes a visit from Edward FitzGerald to his Toronto gallery in 1961. He wrote, Edward went on to tell me that he had inherited...
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Invited Exhibitors
To the 1920 Group of Seven Exhibition -
Robert Pilot
"I will only remark that in our home over the mantelpiece we have a Pilot." - Walter H. Klinkhoff -
Albert H. Robinson
"The painter's painter" - Thomas R. Lee-
Albert H. RobinsonCultivated Fields, Brome Lake, 1930 (circa)Oil on panel11 x 13 in
27.9 x 33 cmCAD 30,000 -
Albert H. Robinson1881-1956Unloading Bricks in Harbor, Montreal, P.Q., 1908signed and dated, 'Albert Robinson 1908.' (lower right); inscribed, '15802' (verso, upper right corner); titled and signed by the artist, 'UNLOADING BRICKS IN HARBOR / MONTREAL P.Q. / Albert H. Robinson (verso, centre)Oil on canvas12 1/4 x 16 7/8 in
31 x 43 cm
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