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Arthur Lismer
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Arthur LismerPacific Coast, 1961Oil on canvas stretched on a board16 x 20 inLismer’s painting Pacific Coast depicts the energetic whitecaps of the Pacific Ocean, likely near Long Beach, now part of the Pacific Rim National Park Reserve. The artwork, painted on canvas and adhered to a board, features an unfinished painting on the reverse, inspired by the coastal rainforest's magnificence. Both the coastal waters and rainforest are significant aspects of Lismer’s legacy as an iconic Canadian artist. Arthur Lismer was a frequent visitor to Canada's West Coast. Following his meeting with Emily Carr in 1927, he sketched...
40.6 x 50.8 cm$25,000Lismer’s painting Pacific Coast depicts the energetic whitecaps of the Pacific Ocean, likely near Long Beach, now part of the Pacific Rim National Park Reserve. The artwork, painted on canvas and adhered to a board, features an unfinished painting on the reverse, inspired by the coastal rainforest's magnificence. Both the coastal waters and rainforest are significant aspects of Lismer’s legacy as an iconic Canadian artist. Arthur Lismer was a frequent visitor to Canada's West Coast. Following his meeting with Emily Carr in 1927, he sketched...
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A.Y. Jackson
Jackson was “the real force and inspiration that led us all into a modern conception which suited this country…” - Lawren S. Harris-
A.Y. JacksonSt-Urbain, Quebec , 1929 (April)Double-sided oil on panel8 3/4 x 10 1/2 in
22.2 x 26.7 cm$55,000 -
A.Y. JacksonLes Éboulements, 1935 (circa)Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cm$50,000 -
A.Y. JacksonStreet in St. Hyacinthe, Quebec, 1939 (April)Oil on double-sided panel
8 1/2 x 10 1/2 in
21.6 x 26.7 cm$42,500
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J.E.H. MacDonald
"In the formative years of the first nationalist movement in Canadian Art, no one contributed more both spritually and artistically than James Edward Hervey MacDonald." -Robert McMichael-
J.E.H. MacDonaldMr. Joe Cox's House (next door west), Thornhill, 1926Oil on card board8 1/2 x 10 1/2 in—Joan Murray In 1914, the MacDonald family moved to a farmhouse in Thornhill at 121 Center Street, which had a generous garden on the west side of the house. MacDonald often liked to paint the various features of the garden, such as the area which he planted with flowers (he was an avid gardener), or the old apple tree, as well as the house beyond – which, as we learn here, belonged to Mr. Joe Cox. He also painted his family seated in the garden,...
21.6 x 26.7 cm$50,000—Joan Murray In 1914, the MacDonald family moved to a farmhouse in Thornhill at 121 Center Street, which had a generous garden on the west side of the house. MacDonald often liked to paint the various features of the garden, such as the area which he planted with flowers (he was an avid gardener), or the old apple tree, as well as the house beyond – which, as we learn here, belonged to Mr. Joe Cox. He also painted his family seated in the garden,...
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Edwin Holgate
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Edwin HolgateFishing Village, Mutton Bay, 1932 (circa)Oil on panel8 3/8 x 10 1/2 inAs a member of the Group of Seven, Edwin Holgate travelled twice to the region near the border of Quebec and Labrador, the latter at the time still part of the British colony of Newfoundland. In 1930, Holgate visited the fishing village of Natashquan, on the Gulf of St. Lawrence directly north of Anticosti Island. In 1932 he returned to Natashquan and also produced a series of paintings at Mutton Bay, another fishing settlement further along the coast of the Gulf. (Both villages are on...
21.3 x 26.7 cm$35,000As a member of the Group of Seven, Edwin Holgate travelled twice to the region near the border of Quebec and Labrador, the latter at the time still part of the British colony of Newfoundland. In 1930, Holgate visited the fishing village of Natashquan, on the Gulf of St. Lawrence directly north of Anticosti Island. In 1932 he returned to Natashquan and also produced a series of paintings at Mutton Bay, another fishing settlement further along the coast of the Gulf. (Both villages are on...
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Invited Exhibitors
To the 1920 Group of Seven Exhibition -
Robert Pilot
"I will only remark that in our home over the mantelpiece we have a Pilot." - Walter H. Klinkhoff -
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Robert PilotSchooner Loading, 1919Oil on panel10 3/4 x 14 in
27.3 x 35.6 cm$20,000 -
Robert PilotEarly Evening, Québec, 1928Oil on canvas18 x 24 in
45.7 x 61 cm$42,000 -
Robert PilotSailing Ships, Lunenburg, 1928Oil on canvas18 1/4 x 24 in
46.4 x 61 cm$25,000 -
Robert PilotCap Barré Percé, Québec, 1930Oil on panel12 1/2 x 17 in
31.8 x 43.2 cm$9,000
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Robert PilotLunenburg, Nova Scotia, 1936Oil on canvas
18 x 24 in
45.7 x 61 cm$25,000 -
Robert PilotSt John's NewfoundlandOil on canvas24 x 32 in
61 x 81.3 cm$50,000 -
Robert PilotThe Old House, Anse St. Jean SaguenayOil on panel12 x 16 1/2 in
30.5 x 41.9 cm$7,500 -
Robert PilotGaspé Peninsula LandingOil on canvas18 1/8 x 24 in
46 x 61 cm$32,500
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Albert H. Robinson
"The painter's painter" - Thomas R. Lee -
Beaver Hall Group
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