Artworks for Sale
Rue Logan (d'autrefois, avec les arbres) vers Plessis, Montréal, 1977
Oil on canvas
24 x 30 in
61 x 76.2 cm
61 x 76.2 cm
This painting is presently on view at our Montreal gallery
$22,000
Inscriptions
signed, ‘JOHN / LITTLE’ (lower right); titled, signed and dated, ‘RUE LOGAN (d’autrefois, avec les arbres) VERS PLESSIS MONTRÉAL / ST. JACQUES / JOHN LITTLE / 77’ (verso, upper horizontal stretcher bar)Provenance
Private collection, Montreal
In this winter view of Rue Logan at Plessis Street, John Little captures a rather unexceptional corner of Montreal’s east end, transforming the streetscape into a tribute, a page in the “family album”. The composition is anchored by a snow-laden sidewalk and a solitary bicycle, the type the local corner stores used to deliver groceries. Notably, for those who were there, the panier on the front was ideal before delivering a case of 24 beers. The bicycle serves as an intimate human trace that suggests recent presence .
Rue Logan at Plessis Street is located just east of downtown and west of Hochelaga proper. It was a dense working- and lower-middle-class neighbourhood, closely tied to Montreal’s industrial and railway economy in the late 19th and early 20th centuries. When John Little painted scenes like this, it still retained its characteristic brick row houses, narrow streets, corner shops, and strong neighbourhood identity, much of which has since been altered by urban renewal and redevelopment.
As with many of Little’s street scenes, this painting serves as a document of neighbourhood life and his personal act of preservation.
Rue Logan at Plessis Street is located just east of downtown and west of Hochelaga proper. It was a dense working- and lower-middle-class neighbourhood, closely tied to Montreal’s industrial and railway economy in the late 19th and early 20th centuries. When John Little painted scenes like this, it still retained its characteristic brick row houses, narrow streets, corner shops, and strong neighbourhood identity, much of which has since been altered by urban renewal and redevelopment.
As with many of Little’s street scenes, this painting serves as a document of neighbourhood life and his personal act of preservation.