James Wilson Morrice, Saint-Malo, France, 1901 (circa)Oil on canvas29 1/4 x 46 1/4 in
74.3 x 117.5 cmSoldMorrice's Largest Privately-Owned Canvas Sold by Alan Klinkhoff Gallery - While Morrice is best known for his small pochades on wood panels, St. Malo, France is well over a meter wide! Definitely rare, but not the artist’s largest canvas (excluding his war mural in the Canadian War Museum in Ottawa); that distinction belongs to La Communiante, same width but eight cms taller, which now...Read moreWilliam Raphael, Square Victoria, Montreal, 1861Oil on canvas20 1/8 x 25 in
51.1 x 63.5 cmSoldTom Thomson, River in Spring (Spring Break-up or Spring Ice), 1916 (Spring)Oil on composite wood-pulp board8 1/2 x 10 1/2 in
21.6 x 26.7 cmSoldLawren S. Harris, Maligne Lake, Jasper Park, 1924Oil on Beaverboard10 3/4 x 13 3/4 in
27.3 x 34.9 cmSoldJames Wilson Morrice, En pleine mer, 1904 (circa)Oil on canvas15 x 23 in
38.1 x 58.4 cm
This work is included in the James Wilson Morrice Catalogue Raisonné being compiled by Lucie Dorais.Sold- Emily Carr, The Bounce of Spring, 1936-1937 (circa)Oil on canvas24 x 33 in
61 x 83.8 cmSold'...in no other picture did Carr attain the same fluidity and transparency of her oils on paper.' -Charles C. Hill —Lawren Harris was not the sole influence on Emily Carr’s painting in the late twenties and Shadbolt has clearly outlined how the lessons learned, from the Seattle artist Mark Tobey in September 1928 and from books she read, helped Carr to evolve a new language...Read more Maurice Cullen, Sunny Day, Ice Cutting, Montreal, 1920 (circa)Oil on canvas - Huile sur toile22 x 28 in
55.9 x 71.1 cm
Alan Klinkhoff Gallery Cullen Inventory No. AK1120.SoldTom Thomson, Early Spring, Algonquin Park (Canoe Lake), 1917 (Spring)Oil on board8 11/16 x 10 5/8 in.
22 x 27 cm
This work is included in the Tom Thomson, Catalogue Raisonné, published by Joan Murray, no. 1917.05SoldJohn Lyman, The Hammock Under the Tree (Dalesville, Quebec), 1912Oil on canvas24 x 30 in
61 x 76.2 cmSoldClarence A. Gagnon, Misty Morning, Canada (After Snowfall), 1919-1920Oil on panel6 1/4 x 9 1/4 in
15.9 x 23.5 cmSoldPhilip Surrey, End of Summer, 1974Oil on canvas32 x 24 in
81.3 x 61 cmSoldEnd of Summer is a generational painting and perhaps Surrey’s most important painting of this vintage. This painting served as the cover image on the catalogue of the Philip Surrey Retrospective Exhibition, September 18 - October 2, 2004, hosted at Galerie Walter Klinkhoff. The location is somewhat recognizable. The artist has located himself on Fairmont at Jeanne-Mance, looking West with a slice of Mount Royal...Read moreEdwin Holgate, Shipbuilding, Sorel, 1942Oil on hardboard24 x 20 in
61 x 50.8 cmSoldJean Dallaire, Ô REDOUTABLE FEMELLE!, 1954Oil on canvas board 20 x 16 in
50.8 x 40.6 cmSoldEmily Carr, Haida Totem, 1928Oil on canvas36 x 18 in
91.4 x 45.7 cmSoldA.Y. Jackson, Early Spring, Quebec, 1926Oil on canvas24 x 32 in
61 x 81.3 cmSold- Francis Hans (Frank/Franz) Johnston, Tribute to Tom Thomson, 1923-1925 (circa)Oil on canvas57 x 42 in
144.8 x 106.7 cmSoldFrank Johnston got his real start as an artist when he worked at Grip Limited in Toronto in 1911. At this lively, highly competitive commercial art firm, he met future Group of Seven members J.E.H. MacDonald, Arthur Lismer, and Franklin Carmichael. There is no record of his meeting Tom Thomson but both were at Grip at the same time. Likely they spoke or, at least,...Read more William Henry Bartlett, Quebec, 1838 (circa)Oil on canvas20.5 x 24.5 in
52.1 x 62.2 cm SoldWilliam Henry Bartlett, Halifax from Dartmouth, 1838 (circa)Oil on canvas19.5 x 23.5 in
49.5 x 59.7 cmSoldFranklin Carmichael, La Cloche Hills, 1927Watercolour17 x 21 in
43.2 x 53.3 cmSoldJohn Little, Autumn, Walbrae Place, Montreal, 1955 (circa)Oil on hard board23 1/2 x 29 1/2 in
59.7 x 74.9 cmSold

The Klinkhoff family has sold masterworks to many of the foremost Canadian museums and private collectors.