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Randolph S. Hewton, The Witches Wood
Oil on linen
14 x 16 in
35.6 x 40.6 cm Sold This important work showcases Randolph Hewton’s bold, post-Impressionist palette, shaped by the influences of Matisse, the Fauves, and the Post-Impressionists, applied to a distinctly Canadian subject. Painted between 1920–1930, The Witches Wood highlights Hewton’s masterful command of colour. It also reflects his rare but significant engagement with the landscape vision of Tom Thomson, Lawren Harris, and J.E.H. MacDonald in Algoma. Through rhythmic brushwork and a... Read more -
Sir George Back, Icebergs at the Entrance of Hudson's Strait, with M.S. Discovery Ship Terror, 1836 (August)
Watercolour
7 1/8 x 10 7/8 in
18.1 x 27.6 cm Sold -
James Wilson Morrice, Saint-Malo, France, 1901 (circa)
Oil on canvas
29 1/4 x 46 1/4 in
74.3 x 117.5 cm Sold -
William Raphael, Square Victoria, Montreal, 1861
Oil on canvas
20 1/8 x 25 in
51.1 x 63.5 cm Sold -
Tom Thomson, River in Spring (Spring Break-up or Spring Ice), 1916 (Spring)
Oil on composite wood-pulp board
8 1/2 x 10 1/2 in
21.6 x 26.7 cm Sold -
Lawren S. Harris, Maligne Lake, Jasper Park, 1924
Oil on Beaverboard
10 3/4 x 13 3/4 in
27.3 x 34.9 cm Sold Read more
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James Wilson Morrice, En pleine mer, 1904 (circa)
Oil on canvas
15 x 23 in
38.1 x 58.4 cm
This work is included in the James Wilson Morrice Catalogue Raisonné being compiled by Lucie Dorais. Sold -
Emily Carr, The Bounce of Spring, 1936-1937 (circa)
Oil on canvas
24 x 33 in
61 x 83.8 cm Sold -
Maurice Cullen, Sunny Day, Ice Cutting, Montreal, 1920 (circa)
Oil on canvas - Huile sur toile
22 x 28 in
55.9 x 71.1 cm
Alan Klinkhoff Gallery Cullen Inventory No. AK1120. Sold -
Tom Thomson, Early Spring, Algonquin Park (Canoe Lake), 1917 (Spring)
Oil on board
8 11/16 x 10 5/8 in.
22 x 27 cm
This work is included in the Tom Thomson, Catalogue Raisonné, published by Joan Murray, no. 1917.05 Sold -
John Lyman, The Hammock Under the Tree (Dalesville, Quebec), 1912
Oil on canvas
24 x 30 in
61 x 76.2 cm Sold John Lyman came from a cultured, upper-class Puritan family in New England [1]. In 1886, the year he was born, his father became a Canadian citizen and established his pharmaceutical business with operations from Montreal to Vancouver. John was two years old when his mother succumbed to typhoid fever. Despite having a governess and an affectionate father, John Lyman lived a solitary childhood in Montreal.... Read more -
Clarence A. Gagnon, Misty Morning, Canada (After Snowfall), 1919-1920
Oil on panel
6 1/4 x 9 1/4 in
15.9 x 23.5 cm Sold -
Philip Surrey, End of Summer, 1974
Oil on canvas
32 x 24 in
81.3 x 61 cm Sold -
Edwin Holgate, Shipbuilding, Sorel, 1942
Oil on hardboard
24 x 20 in
61 x 50.8 cm Sold -
Jean Dallaire, Ô REDOUTABLE FEMELLE!, 1954
Oil on canvas board
20 x 16 in
50.8 x 40.6 cm Sold -
Emily Carr, Haida Totem, 1928
Oil on canvas
36 x 18 in
91.4 x 45.7 cm Sold '...in these paintings Carr gave up her concern for painterly surface and started to translate what she saw in nature into three dimensional hard-edge forms.' -Charles C. Hill - Emily Carr was one of Canada’s most innovative artists of the first half of the twentieth century. After periods of study in San Francisco, England and France, in 1912 Carr made a major trip to Alert... Read more
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A.Y. Jackson, Early Spring, Quebec, 1926
Oil on canvas
24 x 32 in
61 x 81.3 cm Sold -
Francis Hans (Frank/Franz) Johnston, Tribute to Tom Thomson, 1923-1925 (circa)
Oil on canvas
57 x 42 in
144.8 x 106.7 cm Sold -
William Henry Bartlett, Quebec, 1838 (circa)
Oil on canvas
20.5 x 24.5 in
52.1 x 62.2 cm Sold -
William Henry Bartlett, Halifax from Dartmouth, 1838 (circa)
Oil on canvas
19.5 x 23.5 in
49.5 x 59.7 cm Sold
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