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James Wilson Morrice, Saint-Malo, France, 1901 (circa)
Oil on canvas
29 1/4 x 46 1/4 in
74.3 x 117.5 cm Sold Morrice's Largest Privately-Owned Canvas Sold by Alan Klinkhoff Gallery - While Morrice is best known for his small pochades on wood panels, St. Malo, France is well over a meter wide! Definitely rare, but not the artist’s largest canvas (excluding his war mural in the Canadian War Museum in Ottawa); that distinction belongs to La Communiante, same width but eight cms taller, which now... Read more -
William Raphael, Square Victoria, Montreal, 1861
Oil on canvas
20 1/8 x 25 in
51.1 x 63.5 cm Sold -
Tom Thomson, River in Spring (Spring Break-up or Spring Ice), 1916 (Spring)
Oil on composite wood-pulp board
8 1/2 x 10 1/2 in
21.6 x 26.7 cm Sold -
Lawren S. Harris, Maligne Lake, Jasper Park, 1924
Oil on Beaverboard
10 3/4 x 13 3/4 in
27.3 x 34.9 cm Sold -
James Wilson Morrice, En pleine mer, 1904 (circa)
Oil on canvas
15 x 23 in
38.1 x 58.4 cm
This work is included in the James Wilson Morrice Catalogue Raisonné being compiled by Lucie Dorais. Sold -
Emily Carr, The Bounce of Spring, 1936-1937 (circa)
Oil on canvas
24 x 33 in
61 x 83.8 cm Sold '...in no other picture did Carr attain the same fluidity and transparency of her oils on paper.' -Charles C. Hill —Lawren Harris was not the sole influence on Emily Carr’s painting in the late twenties and Shadbolt has clearly outlined how the lessons learned, from the Seattle artist Mark Tobey in September 1928 and from books she read, helped Carr to evolve a new language... Read more
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Maurice Cullen, Sunny Day, Ice Cutting, Montreal, 1920 (circa)
Oil on canvas - Huile sur toile
22 x 28 in
55.9 x 71.1 cm
Alan Klinkhoff Gallery Cullen Inventory No. AK1120. Sold -
Tom Thomson, Early Spring, Algonquin Park (Canoe Lake), 1917 (Spring)
Oil on board
8 11/16 x 10 5/8 in.
22 x 27 cm
This work is included in the Tom Thomson, Catalogue Raisonné, published by Joan Murray, no. 1917.05 Sold -
John Lyman, The Hammock Under the Tree (Dalesville, Quebec), 1912
Oil on canvas
24 x 30 in
61 x 76.2 cm Sold -
Clarence A. Gagnon, Misty Morning, Canada (After Snowfall), 1919-1920
Oil on panel
6 1/4 x 9 1/4 in
15.9 x 23.5 cm Sold -
Philip Surrey, End of Summer, 1974
Oil on canvas
32 x 24 in
81.3 x 61 cm Sold End of Summer is a generational painting and perhaps Surrey’s most important painting of this vintage. This painting served as the cover image on the catalogue of the Philip Surrey Retrospective Exhibition, September 18 - October 2, 2004, hosted at Galerie Walter Klinkhoff. The location is somewhat recognizable. The artist has located himself on Fairmont at Jeanne-Mance, looking West with a slice of Mount Royal... Read more -
Edwin Holgate, Shipbuilding, Sorel, 1942
Oil on hardboard
24 x 20 in
61 x 50.8 cm Sold -
Jean Dallaire, Ô REDOUTABLE FEMELLE!, 1954
Oil on canvas board
20 x 16 in
50.8 x 40.6 cm Sold -
Emily Carr, Haida Totem, 1928
Oil on canvas
36 x 18 in
91.4 x 45.7 cm Sold -
A.Y. Jackson, Early Spring, Quebec, 1926
Oil on canvas
24 x 32 in
61 x 81.3 cm Sold -
Francis Hans (Frank/Franz) Johnston, Tribute to Tom Thomson, 1923-1925 (circa)
Oil on canvas
57 x 42 in
144.8 x 106.7 cm Sold Frank Johnston got his real start as an artist when he worked at Grip Limited in Toronto in 1911. At this lively, highly competitive commercial art firm, he met future Group of Seven members J.E.H. MacDonald, Arthur Lismer, and Franklin Carmichael. There is no record of his meeting Tom Thomson but both were at Grip at the same time. Likely they spoke or, at least,... Read more
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William Henry Bartlett, Quebec, 1838 (circa)
Oil on canvas
20.5 x 24.5 in
52.1 x 62.2 cm Sold -
William Henry Bartlett, Halifax from Dartmouth, 1838 (circa)
Oil on canvas
19.5 x 23.5 in
49.5 x 59.7 cm Sold -
Franklin Carmichael, La Cloche Hills, 1927
Watercolour
17 x 21 in
43.2 x 53.3 cm Sold -
John Little, Autumn, Walbrae Place, Montreal, 1955 (circa)
Oil on hard board
23 1/2 x 29 1/2 in
59.7 x 74.9 cm Sold
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