October 20 — 30, Montreal

Zoya Niedermann | BRONZE October 20 — 30, Montreal

  • Zoya Niedermann | BRONZE

    October 20 — 30, Montreal

    Galerie Alan Klinkhoff is proud to invite collectors to an exhibition and sale of works by Zoya Niedermann, to accompany the launch of her book BRONZE.  The artist will be in attendance and signing copies on October 20 from 5pm - 8pm. The artwork, including works in bronze and drawings on paper, will be on view from October 20 — 30, 2026.

     

    Niedermann is a highly acclaimed Montreal-based artist active since she completed formal art studies in 1974. Her vocabulary is focused on the expression of the human form, organic shapes of the body combined with hard-edged geometric lines of architecture to express the connection.

     

    In her work she explores, “relationships that can be both beautiful and challenging.”

     

    Working in bronze, welded steel and ink on paper, her works are featured in museums including the Utsukushigahara Open Air Museum in Ueda (near Nagano), Japan, the de Young Museum, San Francisco, and public spaces, including 2000 McGill College Avenue, Montreal, the George Bernard Shaw Theatre in Niagara-on-the-Lake, the University of Windsor Library, Queen’s University, corporate collections including Canderel, Bombardier, First Quebec Corporation, and private collections in Switzerland, Italy, Germany, Australia, USA, and Japan.

     

    Zoya Niedermann has been exhibiting since 1974 in distinguished art galleries.

     

    We invite your purchase.

    Zoya Niedermann | BRONZE, October 20 — 30, Montreal
  • EXHIBITION DETAILS
    Galerie Alan Klinkhoff

    1448 Sherbrooke Street West
    Montréal, QC H3G 1K4

    October 20 — 30, 2026
     
    Opening Reception & Book Signing
    October 20, 5 — 8 pm
  • Artist's Statement

    Artist's Statement

    My bronze work has always focused on the expression of the human form, particularly the emotions that emanate from within.

     

    I have long felt that our environment—the city and the architecture that surrounds us—is an integral part of who we are. In my work, I bring together the soft, organic forms of the human body with the hard-edged geometry of architecture to express this connection. The classical human figure and its environment become interconnected, creating a metamorphosis of the human condition. Architectural elements such as arches, windows, and doors merge with the human form, becoming extensions of the emotions, experiences, and spirit within us.

     

    I continue to explore these ideas through bronze, examining our emotional relationship with the environments we inhabit—relationships that can be both beautiful and challenging. My forms often suggest a rising or emerging spirit, reflecting humanity’s potential to transcend our surroundings and lift ourselves toward a higher level of consciousness.

     

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