This lovely little pochade of Dufferin Terrace painted in late June 1910 is both a quintessential James Wilson Morrice and an extremely rare summer Quebec subject by him. Although he spent all his professional life in Paris, Morrice often joined his family in Montreal for Christmas. However, soon after the...

Morrice loved to paint the beaches of the world. Before 1900, he used these beaches mostly as backdrops for various human activities: gathering oysters or kelp, drying sheets; more rarely for bathers specifically or people at leisure.

Of the Beaver Hall Group women who maintained their friendship for the better part of 30 years, [Sarah Robertson] was conceivably the least prolific, making fine paintings by her especially rare and precious for Beaver Hall Group collectors.

Frank Hennessey is an important , yet underrated artist of the Ottawa region of his generation. A full member of the Royal Canadian Academy of the Arts where he showed regularly in the RCA exhibitions at the Art Association of Montreal and The Art Gallery of Toronto , a member...

This intimate and intense watercolour offers a missing link for our understanding of how Emily Carr developed her imagery of First Nations culture. In 1993, when I compiled my catalogue of all her paintings and drawings of First Nations villages, I listed the sketch of this subject as ‘lost.’ I...