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Arthur Lismer
"It is necessary that [...] we should believe that we are as capable of producing great art as we believe we are capable of doing great deeds..." - Arthur Lismer-
Arthur LismerPacific Coast, 1961Oil on canvas stretched on a board16 x 20 inLismer’s painting Pacific Coast shows his experience witnessing the dramatic force of weather, the energy of the surf and strength of the rock. The visible brushwork matters as much as the motif. Whitecaps are built from broken strokes and thick highlights, while the rocks are often massed in mauves, ochres, and greys that make the shoreline feel elemental rather than picturesque. Arthur Lismer painting near Long Beach, 1958 (Source: longbeachwild.wordpress.com ) In 1951, after an important retrospective of his work in Vancouver and in Victoria,...
40.6 x 50.8 cm$35,000Lismer’s painting Pacific Coast shows his experience witnessing the dramatic force of weather, the energy of the surf and strength of the rock. The visible brushwork matters as much as the motif. Whitecaps are built from broken strokes and thick highlights, while the rocks are often massed in mauves, ochres, and greys that make the shoreline feel elemental rather than picturesque. Arthur Lismer painting near Long Beach, 1958 (Source: longbeachwild.wordpress.com ) In 1951, after an important retrospective of his work in Vancouver and in Victoria,...
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J.E.H. MacDonald
"In the formative years of the first nationalist movement in Canadian Art, no one contributed more both spritually and artistically than James Edward Hervey MacDonald." -Robert McMichael-
J.E.H. MacDonaldMr. Joe Cox's House (next door west), Thornhill, 1926Oil on cardboard8 1/2 x 10 1/2 in—Joan Murray In 1914, the MacDonald family moved to a farmhouse in Thornhill at 121 Center Street, which had a generous garden on the west side of the house. MacDonald often liked to paint the various features of the garden, such as the area which he planted with flowers (he was an avid gardener), or the old apple tree, as well as the house beyond – which, as we learn here, belonged to Mr. Joe Cox. He also painted his family seated in the garden,...
21.6 x 26.7 cm$50,000—Joan Murray In 1914, the MacDonald family moved to a farmhouse in Thornhill at 121 Center Street, which had a generous garden on the west side of the house. MacDonald often liked to paint the various features of the garden, such as the area which he planted with flowers (he was an avid gardener), or the old apple tree, as well as the house beyond – which, as we learn here, belonged to Mr. Joe Cox. He also painted his family seated in the garden,...
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Edwin Holgate
"He is the single most important artist to have emerged from that loose gathering of painters that in the early nineteen-twenties called itself the Beaver Hall Group." - Dennis Reid-
Edwin HolgateThe Gravel Pit, 1965Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cm$20,000 -
Edwin Holgate1892-1977Fishing Village, Mutton Bay, 1932 (circa)signed with monogram, 'EH' (lower right); inscribed and signed by the artist on label (partially obstructed) ‘Mutton Bay - E. Holgate’ (verso)Oil on panel8 3/8 x 10 1/2 in
21.3 x 26.7 cm
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Invited Exhibitors
To the 1920 Group of Seven Exhibition -
Robert Pilot
"I will only remark that in our home over the mantelpiece we have a Pilot." - Walter H. Klinkhoff-
Robert PilotSkating Rink, Dufferin TerraceOil on canvas22 x 28 in
55.9 x 71.1 cm
Framed dimensions: 31 x 37 1/4 in (78.7 x 94.6 cm)$135,000 -
Robert PilotNight Skating, Québec City, 1966Oil on canvas22 x 28 1/4 in
56 x 71.8 cm$60,000 -
Robert PilotEarly Evening, Québec, 1928Oil on canvas18 x 24 in
45.7 x 61 cm
Framed dimensions: 26 3/8 x 33 in (67 x 84 cm)$42,000
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Robert Pilot1898-1967Schooner Loading, 1919signed and dated "R Pilot / '19." (recto, lower right);
titled, signed, and inscribed in a light dry medium, "Schooner Loading / R. Pilot / 35.00" (verso, centre);Oil on panel - Huile sur panneau10 3/4 x 14 in
27.3 x 35.6 cm -
Robert PilotView of the Mother House from WestmountOil on canvas19 x 24 1/8 in
48.4 x 61.2 cm$37,500
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Albert H. Robinson
"The painter's painter" - Thomas R. Lee -
Beaver Hall Group
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Nora Collyer1898-1979Trafalgar Day, Place Jacques Cartier, Montrealsigned, ‘N. Collyer’ (lower left); signed, ‘N. Collyer’ (verso, upper right); inscribed, ‘ 38 / Nelson’s Monument / Trafalgar / Square / Montreal / Ex. Canvas / in war / pictures / Gwen. D. French’ (verso)Oil on board10 1/2 x 8 5/8 in
26.8 x 22 cm -
H. Mabel MayStill Life with FruitOil on board17 x 23 in
43.2 x 58.4 cm$30,000 -
Ethel SeathThe Blue Table, 1935 (circa)Oil on board20 x 15 3/4 in
50.8 x 40 cm
$35,000 -
Kathleen M. MorrisBuildings, Craig St., Montreal, 1930 (circa)Oil on canvas20 3/4 x 24 in
52.7 x 61 cm$150,000
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