2021 Year in Review
The most important highlight to report is that our entire family has managed the year in good health. Ranging in ages from 94 to 3, everyone is well. We continue to wish our readers good health.
If you are followers of art businesses elsewhere in Canada, the USA, the UK or Western Europe, ones which have developed a presence in cyberspace comparable to ours it will not surprise you to read that in terms of business activity 2020 - 2021 was as strong as any previous year. “Everything changed, but nothing changed” is how we put it. Over this past year we have transacted the largest number of works we have ever sold.
The Montship Collection was a real treat to represent in its sale. Our original gallery, Walter Klinkhoff Gallery developed most of it. And now, with the evolution of Montship, it was an honour to work with these pictures in their next transition. The collection sold out in its entirety. And the Distinguished Montreal Family which offered its collection through us in anonymity included works of art of the highest quality. John Lyman’s “The Hammock under the Tree” of 1912, which is available for your astute purchase as of this writing, is an exquisite example of the calibre of fine art from that collection. We are grateful for the confidence buyers and sellers from across Canada and elsewhere have expressed in our gallery. Yes, it does sometimes take a bit of patience to marry outstanding pictures with their next stewards. In that regard we congratulate the Mitzi and Mel Dobrin family and to the new owners of what must be the definitive Frank Johnston, a majestic painting, just sold and soon to go on a museum tour. We have a number of highlights in images we have sold this past year, some of which we are featuring in this brochure.
The impact of Covid-19 on our business and fine art galleries like it both during lockdowns and beyond has been contingent on how well equipped we were to share our inventory with potential clients and how well we could serve the demands of clients both buyers and sellers remotely with the front doors of both physical galleries shuttered. Thanks to years of investment, our galleries remained 'open' 24/7/365 at Klinkhoff.ca, not only with images of the art work, framed too, the reverse of the paintings as well, simulation of the framed artworks on a wall, a presentation unequalled by few in Canada, and, extraordinarily with prices posted while the works were still available for purchase. This transparency of price among Canadian galleries selling “classics” is unusual and welcomed by all.
We don’t want to minimize the turmoil, confusion, personal and emotional hardships many of us/you suffered, even the loss of loved ones. That was devastating. After only a relatively brief period after the onset of Covid-19, spurned on by your increase in leisure time and confined to your home, your increase in wealth and financial confidence watching markets stabilize, and in part due to sheer necessity, you and we all became increasingly comfortable shopping online. The availability to view our entire art galleries online at Klinkhoff.ca offered easy accessibility to art collectors.
Before the pandemic, most of you, our clients, weren’t physically coming in anyway. You live in Yellowknife, Kelowna, Vancouver, Victoria, Mississaugua, Halifax, in the USA, a smattering of you in the UK, Western Europe, the Middle East, Asia and elsewhere. Even those of you living in Forest Hill, Ontario and Westmount, Quebec, close to our storefront galleries, you tend to visit us online, at least prior to coming to the gallery.
During the lockdown the foot traffic we received daily was numerically pretty much the same as before the pandemic. However, instead of visits from clients, it was Transport Fero, Art Solution, FedEx, Loomis, Canada Post, and Trans Art. The galleries locked, our entire inventory of paintings for sale was available online at Klinkhoff.ca, and with their prices posted. Our gallery telephone lines were connected to cell phones. We didn’t miss a phone call and emails were monitored and responded to as per normal, now however, from our homes.
You too were working from home. We were all confined strictly to our houses, looking at our walls more than ever before. Beyond work, there were few pleasurable distractions. No opera, no ballet, no hockey, basketball or football, baseball. You couldn’t travel to Aspen, St. Moritz, or even to Florida. You had a library of good books, and your computer which, if you weren’t particularly computer literate prior to March 2020, you learned quickly even to visit with the children or grandchildren. And grocery shopping, something you never previously would have entrusted to a third party, you now ordered online and had delivered to your door. NetFlix and Crave became part of your routine to provide relief from the daily death count.
There is a well known saying in our world, “Collectors collect”. With the development of Klinkhoff.ca we gave collectors everywhere the opportunity to visit us anytime at their leisure with the confidence that we are offering a selection of works of art of “quality”, in proper restorative condition and available for their immediate purchase at a fair price.
Our site was developed with 3 objectives in mind. The primary objective of klinkhoff.ca is to show the artwork we have available to the largest audience possible, allowing them to visit our gallery at their leisure and engage with us directly when it suits them, maybe only when they see something of interest to them to purchase.
Secondly, our site is intended to stimulate sales not only from us but to stimulate sales to us. Showcasing quality “classic” works of art, we cultivate inquiries on both sides of the buy/sell equation. All businesses need new clients. Since we sell old paintings, recycling as it were, each work sold leaves us with only money. The sold work needs a replacement with another work to sell. We are always looking to attract new sellers who have fine works to offer either through or to us. So, for instance, if a potential seller sees on our site that we are actively selling works or art by Suzor Coté he/she may think of us as an appropriate business to consult to sell his/her Suzors.
The third objective of our site has been to pave that all important “Trust Path”, one that is invaluable to both buyers and sellers to encourage them to open a dialogue with us and either purchase from us or sell through or to us. It has been our intention to show prospective purchasers and sellers that they can work with us with the confidence that they are being dealt with honourably, properly and with the highest degree of professionalism and integrity. The transparency we offer in showing the prices we are asking for works available support those claims.
The cycle of the life of stewardship of a work of art remains unchanged. Families consulted with us making estate plans, the children electing to keep some, while others were consigned to us to be sold. We had some representatives of Estates contact us to manage the sales of fine art for the estates. Some collectors downsized to smaller properties and sold works of art that were not going to fit in their new homes. We represented numerous collectors who simply wanted to sell some works or art, and take the money to buy others. They changed their living spaces and at the same time changed their art to create a different feeling. Admittedly there were one or two divorces that elected to use artwork to create liquidity in dividing assets.
Now, late in December as we draft this, some 23 months after the nightmare originally began, website visits, phone calls and emails inquiries from both potential buyers and sellers continue unabated. Clients from out of town have been on the road again, some for business and others for pleasure, putting us on their itinerary for an in person visit when in either Montreal or Toronto. “Locals” in both centres where our galleries are physically located have been coming by to say hello again. Some clients have extended generous lunch invitations even for indoor dining. We have resumed some travel for business and have enjoyed in-home appointments with friends and clients again.
Now, again, uncertainty looms large as to whether or not we can continue this well deserved liberty. We have postponed a tour to visit friends in Alberta and BC and will reschedule as soon as we can assume an opportunity for safe travel. Despite whatever restrictions are imposed to ensure good health, we emphasize our ability at Alan Klinkhoff Gallery to serve buyers and sellers of important fine art to the highest degree of professionalism. For sellers of important fine art, our fixed price selling platform avoids the obvious financial risks of selling in a different format and especially in unpredictable markets like today when moods change almost daily. For buyers of important fine art, at Alan Klinkhoff Gallery one has the assurance of a fine selection of works of art of quality and available at fair market values.
We welcome buying and selling inquiries.
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Franklin ArbuckleSt. Pierre, Ile d'Orleans, 1980 (June 12)Oil on canvas on masonite12 x 16 in
30.5 x 40.6 cmSold -
Harold BeamentRescue-Firing a Coston Gun Line, 1944 (circa)Oil on canvas27 x 36 in
68.6 x 91.4 cmSold -
Léon BellefleurMeteors (Météores), 1984Oil on canvas31 7/8 x 25 5/8 in
81 x 65 cmSold
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Léon BellefleurSurf (Ressac), 1977Oil on canvas35 1/8 x 45 5/8 in
89 x 116 cmSold -
Léon BellefleurTour de guet, 1978Oil on canvas35 x 46 in
88.9 x 116.8 cmSold -
Bruno BobakSaint John WestOil on canvas22 x 30 in
55.9 x 76.2 cmSold
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Bruno BobakVictoria, 1968Oil on canvas30 1/4 x 40 1/4 in
76.8 x 102.2 cmSold -
Molly Lamb BobakOff Clarendon Ave, Saint JohnWatercolour over pencil on paper6 x 9 in
15.2 x 22.9 cmSold -
Molly Lamb BobakChristmas BouquetWatercolour24 x 18 in
61 x 45.7 cmSold
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Molly Lamb BobakIsrael Beach, 1985Oil on canvas
30 x 40 in
76.2 x 101.6 cmSold -
Molly Lamb BobakMixed BouquetWatercolour21 1/2 x 15 1/2 in
54.6 x 39.4 cmSold -
Molly Lamb BobakOslo Market, 1963 (circa)Oil on canvas28 x 38 in
71.1 x 96.5 cmSold
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Molly Lamb BobakThe Celebration (Princess Patricia’s Canadian Light Infantry), 1989Oil on canvas board7 x 11 in
17.8 x 27.9 cmSold -
Edith BouchardPlaisir d’Hiver, Baie St.Paul, / Plaisir d’hiver chez Joseph Simard Eustache, Baie St. Paul, (Winter Fun, Baie St Paul/Winter Fun at Joseph Simard Eustache’s [house]), 1954 (circa)Oil on silk on board23 3/4 x 36 in
60.3 x 91.4 cmSold -
Lorne BouchardApproach of Spring (Quebec), March 1959Oil on panel20 x 36 in
50.8 x 91.4 cmSold
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Lorne BouchardChateau Richer - P. Que - April 18, 1970Mixed media6 x 8 1/2 in
15.2 x 21.6 cmSold -
Lorne BouchardRue St. Simon, QuebecMixed media5 3/4 x 7 in
14.6 x 17.8 cmSold -
Lorne BouchardSpring Creek, St. Fereole [sic] P.Q., 1966 (April)Oil on panel8 x 12 in
20.3 x 30.5 cmSold
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Lorne BouchardThe SS Manhattan & The Northwest Passage at Resolute Bay, 1969 (September 6th)Oil on panel12 x 18 in
30.5 x 45.7 cmSold -
Franklin BrownellAutumn, 1903 (circa)Oil on canvas16 x 22 1/4 in
40.6 x 56.5 cmSold -
William BrymnerThe Smithy, 1889 (circa)Oil on canvas26 x 32 in
66 x 81.3 cmSold
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William BrymnerYoung Girl by a StreamWatercolour13 1/4 x 10 in
33.7 x 25.4 cmSold -
Charles CamoinVoiliers dans le port de Cannes, 1956Oil on canvas9 1/2 x 13 in
24.1 x 33 cmSold -
Laurie CampbellApproaching Roddick Gates, 2021Oil on canvas14 x 10 in
35.6 x 25.4 cmSold
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Laurie CampbellYellow Umbrella (Sherbrooke West), 2021Oil on canvas14 x 10 in
35.6 x 25.4 cmSold -
Franklin CarmichaelLa Cloche Hills, 1927Watercolour17 x 21 in
43.2 x 53.3 cmSold -
Emily CarrHaida Totem, 1928Oil on canvas36 x 18 in
91.4 x 45.7 cmSold
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A.J. CassonChurch at Grenville (Quebec), 1971Oil on board12 x 15 in
30.5 x 38.1 cmSold -
A.J. CassonDark Day, Halfway Lake, 1959Oil on panel12 x 15 in
30.5 x 38.1 cmSold -
Berthe Des ClayesThe First SnowOil on panel12 x 16 in
30.5 x 40.6 cmSold
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Frederick Simpson CoburnA Sunny Day (Going Home), 1944Oil on canvas23 x 26 in
58.4 x 66 cmSold -
Frederick Simpson CoburnLogging in Winter, 1933Oil on canvas12 x 14 in
30.5 x 35.6 cmSold -
Frederick Simpson CoburnRetour du bois, 1929Oil on canvas14 1/4 x 17 1/4 in
36.2 x 43.8 cmSold
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Frederick Simpson CoburnStill Life of Roses (with Malvina Scheepers), 1916Oil on wood board10 3/8 x 14 5/8 in
26.4 x 37.1 cmSold -
Ulysse ComtoisL'Eclaircie, 1979Oil on canvas36 x 42 in
91.4 x 106.7 cmSold -
Stanley M. CosgrovePichet et citron, 1950 (circa)Oil on board9 7/8 x 11 3/4 in
25 x 30 cmSold
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Stanley M. CosgroveLandscapeOil on canvas12 x 16 in
30.5 x 40.6 cmSold -
Stanley M. CosgrovePaysageOil on panel12 x 16 in
30.5 x 40.6 cmSold -
Maurice CullenDominion Square, Montreal, 1914 (circa)Oil on panel6 x 7 in
15.2 x 17.8 cm
Alan Klinkhoff Gallery Cullen Inventory No. AKG01580
Walter Klinkhoff Gallery Cullen Inventory No. 1580Sold
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Maurice CullenEarly Spring on Caché River, 1925 (circa)Pastel17 1/2 x 23 1/2 in
44.5 x 59.7 cm
Alan Klinkhoff Gallery Maurice Cullen Inventory No. AK01143Sold -
Maurice CullenSunglow, a Bend in the River, 1920 (circa)Oil on canvas15 x 18 in
38.1 x 45.7 cm
Alan Klinkhoff Gallery Maurice Cullen Inventory No. AKG01397
Walter Klinkhoff Gallery Cullen Inventory No. 1397Sold -
Maurice CullenTerrebonne, 1915 (circa)Oil on wood panel10 1/4 x 13 3/4 in
26 x 34.9 cmSold
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Jean DallaireLes masques, 1957Oil on illustration board6 x 16 in
15.2 x 40.6 cmSold -
Rodolphe DuguayLandscape with birch trees, 1944Oil on cardboard10 x 12 in
25.4 x 30.5 cmSold -
Lionel LeMoine FitzGeraldManitoba Landscape, 1914Oil on board4 1/2 x 5 1/2 in
11.4 x 14 cmSold
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Lionel LeMoine FitzGeraldManitoba SceneOil on canvas board4 1/2 x 5 1/2 in
11.4 x 14 cmSold -
Tom ForrestallPalm Sunday, 1964Plastic on gesso, on hardboard15 x 25 1/2 in
38.1 x 64.8 cmSold -
Tom ForrestallUntitled (Artist's Dining Table with Kentucky Rifle and Fur Coat)Watercolour on paper15 x 22 1/2 in
38.1 x 57.1 cmSold
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Marc-Aurèle FortinPaysage à Québec, 1936 (circa)Oil on board16 1/2 x 23 1/4 in
41.9 x 59.1 cmSold -
Marc-Aurèle FortinPaysage rustique d'hiverOil on panel15 1/4 x 11 1/2 in
38.7 x 29.2 cmSold -
Marc-Aurèle FortinRue Couillard, Vieux Quebec, 1945 (circa)Oil on masonite26 x 24 in
66 x 61 cmSold
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Marc-Aurèle FortinMaisonOil on panel5 x 5 in
12.7 x 12.7 cmSold -
John FoxLe Miroir, 1968Acrylic on canvas50 x 35 in
127 x 88.9 cmSold -
John FoxMontreal Street, 1959Oil on linen30 x 24 in
76.2 x 61 cm
Sold
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Clarence A. GagnonMaison de Fermiers au soleil couchant (Baie St. Paul), 1923 (circa)Oil on panel6 x 8 in
15.2 x 20.3 cmSold -
Thomas H. GarsideMetis Lighthouse, Leggett’s PointOil on canvas27 x 34 in
68.6 x 86.4 cmSold -
Thomas H. GarsideThe Wharf, Bic, QuebecOil on canvas
28 x 36 in
71.1 x 91.4 cmSold
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Thomas H. GarsideThe Yellow House, Murray Bay Country, P. QueOil on canvas20 x 26
50.8 x 66Sold -
Joseph GiuntaPort of Montreal from Bonsecours, 1956Oil on panel24 x 36 in
61 x 91.4 cmSold -
Nicholas de GrandmaisonIndian Chief , 1942 (circa)Oil on canvas board19 x 14 3/4 in
48.3 x 37.5 cmSold
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Jack GraySalvage Vessel Foundation Josephine, 1951Oil on canvas22 x 30 in
55.9 x 76.2 cmSold -
Jean Baptiste Armand GuillauminLa prairie (The Meadow), 1896 (circa)Oil on canvas28 3/4 x 36 1/4 in
73 x 91.9 cmSold -
Lawren S. HarrisMorning Sun Over Hill, Lake Superior (Lake Superior Sketch XXVII), 1922Oil on Beaverboard10 3/8 x 13 5/8 in
26.4 x 34.6 cmSold
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Hilton HassellRepairs at Lunenburg, N.S., May 1975Oil on panel14 x 20 in
35.6 x 50.8 cmSold -
Adrien HébertMontreal Harbour, 1929Oil on canvas23 x 34 in
58.4 x 86.4 cmSold -
Adrien HébertMontreal Harbour (Les débardeurs), 1926Oil on canvas20 x 24 in
50.8 x 61 cmSold
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Adrien HébertPort of Montreal, 1927 (circa)Oil on canvas20 1/8 x 16 1/8 in
51.1 x 41 cmSold -
Randolph S. HewtonSpring, Charlevoix Co., 1930 (circa)Oil on canvas20 x 24 in
50.8 x 61 cmSold -
Randolph S. HewtonWinter, Charlevoix County, 1932 (circa)Oil on canvas20 x 24 in
50.8 x 61 cmSold
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Edwin HolgateBarns in Snow, Malbaie, 1926 (circa)Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold -
Edwin HolgateNear Morin Heights, 1955Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold -
Edwin HolgateThicket, LaurentiansOil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold
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Jack HumphreyBoats and Dredges, Saint John, N.B., 1937Watercolour13 1/2 x 21 1/4 in
34.3 x 54 cmSold -
A.Y. JacksonGatineau, Quebec, 1958Oil on board10 1/2 x 13 1/2 in
26.7 x 34.3 cmSold -
A.Y. JacksonBeaver Lake, Alaska Highway , 1964Oil on canvas25 x 33 1/4 in
63.5 x 84.5 cmSold
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A.Y. JacksonCacouna, Quebec, 1935Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold -
A.Y. JacksonFarm at Port Au Persil, 1947Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold -
A.Y. JacksonLes Éboulements, 1923Oil on wood8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold
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A.Y. JacksonPort Joli, Que, 1927 (circa)Oil on panel8 1/8 x 10 in
20.5 x 25.4 cmSold -
A.Y. JacksonRuth Lake, Schefferville, Quebec, 1942Oil on canvas20 x 26 in
50.8 x 66 cmSold -
A.Y. JacksonWinter Baie St. Paul, 1928Oil on canvas21 x 26 in
53.3 x 66 cmSold
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Chantale JeanVerticalité no 8, 2021Acrylic on canvas55 x 30 in
139.7 x 76.2 cmSold -
Chantale JeanVerticalité no 6, 2021Acrylic on canvas48 x 24 in
121.9 x 61 cmSold -
Francis Hans (Frank/Franz) JohnstonTribute to Tom Thomson, 1923-1925 (circa)Oil on canvas57 x 42 in
144.8 x 106.7 cmSold
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A. Wilkie KilgourSketch at Tumbling WatersOil on panel4 7/8 x 7 in
12.4 x 17.8 cmSold -
A. Wilkie KilgourSketch at Val MorinOil on panel4 7/8 x 6 7/8 in
12.4 x 17.5 cmSold -
A. Wilkie KilgourThe Fishing Pool, Montfort, P.Q., 1927Oil on panel4 7/8 x 7 in
12.4 x 17.8 cmSold
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Dorothy KnowlesWeeds in the Wind, 1991Watercolour
11 x 15 in
27.9 x 38.1 cmSold -
Oscar de LallThe Ferry, Quebec, 1935 (circa)Oil on panel9 x 12 in
22.9 x 30.5 cmSold -
Anthony LawColourful Skaters (Head of Williams Lake, Nova Scotia), 1991Oil on canvas24 x 30 in
61 x 76.2 cmSold
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Douglas LawleyCalèches at Mount RoyalOil on canvas board8 x 10 in
20.3 x 25.4 cmSold -
Douglas LawleyNear Dufferin Terrace, QuebecOil on canvas board20 x 24 in
50.8 x 61 cmSold -
Bruce LeDainApril Weather, CharlevoixOil on canvas8 x 12 in
20.3 x 30.5 cmSold
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Bruce LeDainBarometer Falling, Deer Isle, Maine , 1981 (July)Oil on board8 x 12 in
20.3 x 30.5 cmSold -
Bruce LeDainBedford, Que., 1974 (May)Oil on hardboard12 x 16 in
30.5 x 40.6 cmSold -
Bruce LeDainMartello Tower, Le Grand séminaire de Saint Sulpice, 1982Oil on hardboard7 7/8 x 12 1/8 in
20 x 30.5 cmSold
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Bruce LeDainStoke Road, Wolfe County, Que., 1990Oil on canvas12 x 18 in
30.5 x 45.7 cmSold -
Bruce LeDainThe Kyle, Harbour Grace, Newfoundland, 1972Oil on panel20 x 30 in
50.8 x 76.2 cmSold -
Bruce LeDainTwilight Winter Sky, Charlevoix, Que., 1999Oil on board
8 x 12 in
20.3 x 30.5 cmSold
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Bruce LeDainView from Victoria Island, OttawaOil on panel12 x 16 in
30.5 x 40.6 cmSold -
Jean Paul LemieuxL'ondée, 1960Oil on canvas24 x 40 7/8 in
61 x 103.8 cmSold -
Arthur LismerCape Breton, 1954Oil on panel
12 x 16 in
30.5 x 40.6 cmSold
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Arthur LismerLake O'Hara, Canadian Rockies, 1928Oil on panel12 7/8 x 15 3/8 in
32.7 x 39.1 cmSold -
Arthur LismerOn Pender Island, East Coast of Vancouver Island, BC, 1953Oil on canvas14 x 18 1/8 in
35.5 x 46 cmSold -
Arthur LismerRopes and Gear, Neil's Harbour, Cape Breton I., N.S., 1946Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold
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John LittleAutumn, Walbrae Place, Montreal, 1955 (circa)Oil on hard board23 1/2 x 29 1/2 in
59.7 x 74.9 cmSold -
John LittleChez Therese, Rue Beaudry at Lagauchetiere, 1960Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold -
John LittleOld McGregor Street, Montreal, 1965 (9 December)Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold
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John LittleParc Montmorency, Québec (with a view of the Seminaire), 1966Oil on canvas24 x 30 in
59.1 x 74.9 cmSold -
John LittlePeel St. and Dorchester, 1959 (circa)Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold -
John LittlePlace Royale, Rue St. Paul, Montreal, 1965Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold
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John LittleRichmond Street Vers Grand Trunk, Pointe St. Charles, Montreal, 1977Oil on canvas12 x 16 in
30.5 x 40.6 cmSold -
John LittleRue Beaudry a l'angle Lagauchetière d'autrefois (1958), 1988Oil on canvas24 x 36 in
61 x 91.4 cmSold -
John LittleRue Charlevoix Looking South from Workman to Notre-Dame, 2005Oil on canvas12 x 16 in
30.5 x 40.6 cmSold
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John LittleRue de la Gauchetière (d'autrefois), Montréal, 1967 (circa)Oil on canvas12 x 16 in
30.5 x 40.6 cmSold -
John LittleRue Henri Julien coin Marie Anne, Montreal, 1971Oil on canvas24 x 30 in
61 x 76.2 cmSold -
John LittleRue la Gauchetière at Rue d'Hôtel de Ville, Montréal, 1963 (circa)Oil on panel8 x 10 in
20.3 x 25.4 cmSold
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John LittleRue Panet, Montreal, 1980Oil on canvas24 x 30 in
61 x 76.2 cmSold -
John LittleRue St Martin, St. Henri, Montreal, 1965Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold -
John LittleSketch, Pine Ave above Peel, Montreal, 1961Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold
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John LittleSt. Antoine Street at Fulford, St. Henri, Montreal, 1972Oil on canvas24 x 30 in
61 x 76.2 cmSold -
John LittleSt. Mathieu Street at Dorchester, 1967Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold -
John LittleUne journée humide de mai d’autrefois, McGill Campus Tennis Courts in Happier Days, 1974Oil on canvas
12 x 16 in
30.5 x 40.6 cmSold
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Robert E. LougheedMarch Day Near LachuteOil on panel8 x 10 in
20.3 x 25.4 cmSold -
J.E.H. MacDonaldNear Wapta Lake, Kicking Horse Pass, Rocky Mountains, 1929Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold -
J.E.H. MacDonaldRocky Woods, Algoma, 1919Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold
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Henri L. MassonHiver à PerkinsOil on canvas24 1/8 x 32 1/8 in
61 x 81.5 cmSold -
Henri L. MassonNotre sport national, 1985Oil on canvas10 x 12 in
25.4 x 30.5 cmSold -
Henri L. MassonStudio Window, 1970Oil on hardboard16 x 20 in
40.6 x 50.8 cmSold
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David MilneCopake Hillside, 1922 (10-17 November)Oil on canvas12 x 16 in
30.5 x 40.6 cmSold -
David MilneHouses, Uxbridge Ontario, 1944Oil on canvas15 x 20 in
38.1 x 50.8 cm
Sold -
David MilnePalgrave across the Pond (Palgrave, Ontario), 1930 (April 26)Oil on canvas16 x 20 in
40.6 x 50.8 cm
Sold
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David MilneSewing I, Toronto, 1940Watercolour on paper15 x 11 1/8 in
38.1 x 28.3 cm
This work is included in the David B. Milne Catalogue Raisonne of the Paintings compiled by David Milne Jr. and David P. Silcox, vol. 2, no.401.40.Sold -
David MilneStream in the Bush (Boulders in the Bush II) (Big Moose Lake, Adirondacks, New York), 1926Oil on canvas16 x 20 in
40.6 x 50.8 cm
This work is included in the David B. Milne Catalogue Raisonne of the Paintings compiled by David Milne Jr. and David P. Silcox, Vol. 1, no. 207.78.Sold -
Richard MontpetitL'ombre du traversier, 2006Oil on panel36 x 60 in
91.4 x 152.4 cmSold
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James Wilson MorriceA Canal at Sunset (Marseilles), 1904 (Summer, Circa)Oil on panel4 3/4 x 6 in
12.1 x 15.2 cm
This work will be included in the James Wilson Morrice Catalogue Raisonné being compiled by Lucie Dorais.Sold -
James Wilson MorriceEn pleine mer, 1903-04Oil on canvas15 x 23 in
38.1 x 58.4 cm
This work is included in the James Wilson Morrice Catalogue Raisonné being compiled by Lucie Dorais.Sold -
James Wilson MorriceOn Shipboard, 1906-1907 (circa)Oil on wood panel5 1/4 x 6 3/8 in
13.3 x 16.2 cm
This work will be included in the James Wilson Morrice Catalogue Raisonné being compiled by Lucie Dorais.Sold
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Kathleen M. MorrisFruit Shop, By-Ward Market, Ottawa, 1922-1929Oil on panel11 x 14 1/2 in
27.9 x 36.8 cmSold -
Kathleen M. MorrisLooking up Sainte Cecile Street, 1933 (circa)Oil on canvas21 x 18 in
53.3 x 45.7 cmSold -
Rita MountAnse-à-Beaufils, GaspéOil on canvas18 x 24 in
45.7 x 61 cmSold
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Rita MountFishing BoatsOil on canvas24 x 27 1/4 in
61 x 69.2 cmSold -
Rita MountLac Louise (Lake Louise)Oil on canvas board9 x 11 in
22.9 x 27.9 cmSold -
Louis MuhlstockIn The Lane, Montreal, 1940 (circa)Oil on canvas18 x 21 in
45.7 x 53.3 cmSold
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Louis MuhlstockReclining Nude, 1960Pastel on paper18 x 24 in
45.7 x 61 cmSold -
Louis Muhlstock[Nude]Pastel on paper21 x 32 in
53.3 x 81.3 cmSold -
Kazuo NakamuraAutumn: Still Life, 1957Oil on panel29 x 24 in
73.7 x 61 cmSold
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Ernst NeumannSaint-Norbert Street at de Bullion Looking West, 1952Oil on masonite18 x 23 7/8 in
45.7 x 60.6 cmSold -
Graham Noble NorwellSt. Adolphe d'Howard, Near Ste. Agathe, P.Q., 1957Oil on board8 7/8 x 11 7/8 in
22.5 x 30.2 cmSold -
Jean PalardyLe broyage du lin (Crushing the flax), 1934Oil on cardboard7 1/2 x 9 1/2 in
19.1 x 24.1 cmSold
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Robert PilotCathédrale Notre-Dame-de-Paris, view from quai de la Tournelle, 1921 (circa)Oil on panel5 x 7 in
12.7 x 17.8 cmSold -
Robert PilotOld Court-yard on the Beaupré road, P Q , 1931 (June to November)Oil on canvas18 x 24 in
45.7 x 61 cmSold -
Robert PilotPorte Saint-Louis, Quebec, 1955 (circa)Oil on canvas22 1/8 x 18 1/8 in
56.2 x 46 cmSold
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Robert PilotQueen Elizabeth Gardens, Montreal, 1940 (circa)Oil on canvas22 x 27 1/2 in
55.9 x 69.8 cmSold -
Robert PilotSpring Ice, from Saint Helen's Island, 1965Oil on canvas28 x 36 in
71.1 x 91.4 cmSold -
Robert PilotThe Lane, Peel Street, Montreal, 1950 (circa)Oil on canvas28 x 22 in
71.1 x 55.9 cmSold
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Robert PilotVillage Street, Baie St. Paul P.Q., 1951Oil on canvas board
12 1/8 x 16 3/8 in
30.8 x 41.6 cmSold -
Joseph PlaskettView from a Window, 1976 - 1978Oil on canvas39 1/4 x 25 1/2 in
99.7 x 64.8 cmSold -
René RichardEaton Canyon, Kaniapiskau RiverOil on masonite21 x 31 in
53.3 x 78.7 cmSold
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René RichardPaysage, chutesOil on panel12 x 16 in
30.5 x 40.6 cmSold -
René RichardRivière Georges, UngavaOil on board18 x 24 in
45.7 x 61 cmSold -
René RichardTrappers' Encampment , 1940 (circa)Mixed media7 1/2 x 9 1/2 in
19.1 x 24.1 cmSold
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René RichardTrappeurs près de leur tente, 1953 (circa)Oil on masonite24 x 30 in
61 x 76.2 cmSold -
Jean Paul RiopelleThe Fruits of Silence, 1964Watercolour and gouache on paper12 1/4 x 9 1/2 in
31.1 x 24.1 cm
This work is included in the Jean Paul Riopelle Catalogue Raisonné complied by Yseult Riopelle, no. 1964.096P.1964.Sold -
Jean Paul RiopelleUntitled (PM44), 1978Oil on canvas9 1/2 x 7 1/2 in
24.1 x 19.1 cm
This painting is included in the Jean Paul Riopelle Catalogue Raisonné complied by Yseult Riopelle, Vol. 5: p. 286.Sold
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Eric RiordonAfter the Storm, 1944 (circa)Oil on canvas16 x 20 in
40.6 x 50.8 cmSold -
Eric RiordonLac Tremblant, Early October, 1947Oil on canvas board12 x 16 in
30.5 x 40.6 cmSold -
Eric RiordonThe Mulet Valley at EveningOil on canvas board12 x 16 in
30.5 x 40.6 cmSold
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Goodridge RobertsAcross the Channel, Georgian Bay, 1953Oil on panel
11 5/8 x 15 1/2 in
29.5 x 39.4 cmSold -
Goodridge RobertsGeorgian Bay, 1955 (Summer)Oil on masonite25 x 32 in
63.5 x 81.3 cmSold -
Goodridge RobertsStill Life and Table, 1954 (circa)Oil on masonite22 1/2 x 30 in
57.1 x 76.2 cmSold
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Goodridge RobertsStill Life of Fruit and Flowers, 1958 (circa)Oil on panel8 1/2 x 10 1/2 in
21.6 x 26.7 cmSold -
Goodridge RobertsStill Life of Lemons and Irises, 1953 (January)Oil on masonite24 x 32 in
61 x 81.3 cmSold -
Goodridge RobertsSummer near CornwallOil on masonite32 x 45 in
81.3 x 114.3 cmSold
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Goodridge RobertsYellow Plant, 1952Oil on masonite16 x 20 in
40.6 x 50.8 cmSold -
Albert H. RobinsonCharlevoix County, 1929 (circa)Oil on panel8 x 10 1/2 in
20.3 x 26.7 cm
On the reverse is the Galerie Walter Klinkhoff Retrospective exhibition label and an endorsement by Gerald Stevens. Stevens was a prominent art dealer, a partner in and later owner of The Stevens Art Gallery in Montreal. He was an acquaintance of F.S. Coburn, and wrote Frederick Simpson Coburn (1958), the introduction to which was penned by A.Y. Jackson.Sold -
Albert H. RobinsonGoing to Mass, Cacouna, 1921Oil on panel8 1/8 x 10 1/2 in
20.6 x 26.7 cmSold
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Albert H. RobinsonMill at St. Jovite, 1907 (circa)Oil on canvas12 1/4 x 18 1/4 in
31.1 x 46.4 cm
Sold -
Geoffrey RockBeached, 1974Oil on panel12 x 23 in
30.5 x 58.4 cmSold -
Ethel SeathStill Life from Seaforth Ave.Oil on canvas20 x 24 in
50.8 x 61 cmSold
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Adam Sherriff ScottSketch for Old Time Sugaring Party, St Hilaire, P.Q.Oil on canvas25 x 40 in
63.5 x 101.6 cmSold -
Adam Sherriff ScottStudy for "The Sun worshippers"Oil on canvas20 x 24 in
50.8 x 61 cmSold -
Claude A. SimardCedar's Pass, 2003Acrylic on canvas12 x 16 in
30.5 x 40.6 cmSold
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Claude A. SimardPour toujours juillet, 1990Acrylic on canvas20 x 24 in
50.8 x 61 cmSold -
Henry J. SimpkinsMontreal HarbourWatercolour21 1/2 x 30 in
53.3 x 76.2 cmSold -
Henry J. SimpkinsMontreal Harbour, 1935Watercolour10 1/2 x 13 1/2 in
26.7 x 34.3 cmSold
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Henry J. SimpkinsSketch for painting 'S.S. Jalakirti', 1970 (circa)Watercolour7 x 10 in
17.8 x 25.4 cmSold -
Henry J. SimpkinsVictoria Street Looking Towards McGill University at Sherbrooke StreetWatercolour12 x 17 1/2 in
30.5 x 44.5 cmSold -
Charles W. SimpsonThe Canadian Pacific Empress of Britain Passing Château Richer, with a View Towards Île d’Orléans, Quebec, 1925 (circa)Gouache15 x 11 in
38.1 x 27.9 cmSold
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H. Leslie SmithShip in Lachine CanalOil on hardboard8 x 10 in
20.3 x 25.4 cmSold -
H. Leslie SmithTugs at Montreal HarbourOil on wood panel8 x 10 in
20.3 x 25.4 cmSold -
Jori SmithToledo, Bridge on the Tagus , 1951 (September 24)Oil on board4 3/8 x 6 1/4 in
11 x 16 cmSold
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Philip SurreyBoulevard Gouin, 1966 (circa)Oil on hardboard12 x 18 in
30.5 x 45.7 cmSold -
Philip SurreyEnd of Summer, 1974Oil on canvas32 x 24 in
81.3 x 61 cmSold -
Philip SurreyGirouard Avenue and Sherbrooke Street, 1971Oil on masonite16 x 20 in
40.6 x 50.8 cmSold
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Philip SurreyGoing For Ice, New Brunswick, 1972Oil on board8 x 11 in
20.3 x 27.9 cmSold -
Philip SurreyLooking up GrosvenorMixed media on paper15 5/8 x 11 3/4 in
39.7 x 29.8 cmSold -
Philip SurreyMarch Wind (The Crossing), 1980Oil on canvas48 x 84 in
121.9 x 213.4 cmSold
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Philip SurreyMontreal Street SceneMixed media on paper10 7/8 x 22 1/4 in
27.6 x 56.5 cmSold -
Philip SurreyPedestrians, Crosswalk (Dominion Square, Montreal), 1953 (circa)Oil on wood board6 x 7 3/4 in
15.2 x 19.7 cmSold -
Philip SurreyThe Argument, 1951Oil and tempera on board5 3/4 x 7 3/4 in
14.6 x 19.7 cmSold
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Philip SurreyWaiting for the CinemaPastel18 x 15 inches
45.7 x 38.1 cmsSold -
Philip SurreyWinter Night, 1965 (circa)Oil on masonite12 x 16 in
30.5 x 40.6 cmSold -
Marc-Aurèle Suzor-CotéAutoportrait, Paris, 1894Blue pencil on paper9 1/4 x 6 1/2 in
23.5 x 16.5 cmSold
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Marc-Aurèle Suzor-CotéHomme de dos, nu, 1894Charcoal12 x 10 in
30.5 x 25.4 cmSold -
Marc-Aurèle Suzor-CotéMon Village Natal, Arthabaska Quebec, 1901 (circa)Oil on panel9 x 13 in
22.9 x 33 cmSold -
Takao TanabeThe Face of the Earth is SmilingOil on canvas
22 1/8 x 14 1/2 in
56.2 x 36.8 cmSold
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Frederick B. TaylorBack Galleries, Dorchester Street, 1958 (May 12)Oil on panel10 3/8 x 8 3/8 in
26.4 x 21.3 cm
This work is included in the Alan Klinkhoff Gallery Frederick Taylor Inventory, no. 16-81Sold -
Frederick B. TaylorCleaning The Ice, Beaver Pond - Mt. Royal, 1949 (December 22)Oil on panel8 3/4 x 10 1/4 in
22.4 x 26.2 cm
This work is included in the Alan Klinkhoff Gallery Frederick Taylor Inventory, no. 1054Sold -
Frederick B. TaylorIn Baie St Paul. Charlevoix County. PQ, 1955 (March 10)Oil on panel8 1/4 x 10 1/4 in
21 x 26 cm
This work is included in the Alan Klinkhoff Gallery Frederick Taylor Inventory, no. 14-98Sold
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Frederick B. TaylorLooking up Beaver Hall Hill, 1956Oil on canvas16 x 20 in
40.6 x 50.8 cm
This work is included in the Frederick B. Taylor Inventory of Alan Klinkhoff Gallery, no. 15-49Sold -
Frederick B. TaylorOld Wreck in Port au Saumon, Charlevoix County, Que., 1983Oil on masonite8 1/2 x 10 1/8 in
21.5 x 25.5 cm
This work is included in the Frederick B. Taylor Inventory of Alan Klinkhoff Gallery, no. 25-96Sold -
Frederick B. TaylorOverlooking Middle Cove, Indian Harbour, Nova Scotia, 1977Oil on canvas26 x 32 in
66 x 81.3 cm
This work is included in the Frederick B. Taylor Inventory of Alan Klinkhoff Gallery, no. 23-51Sold
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Frederick B. TaylorAt Neil's Harbour, Cape Breton, N.S., 1975Oil on canvas18 x 24 in
45.7 x 61 cm
This work is included in the Frederick B. Taylor Inventory of Alan Klinkhoff Gallery, no. 22-47Sold -
Frederick B. TaylorLooking Southwest at that end of Trafalgar Ave., Montreal, 1950 (December 17)Oil on panel10 3/8 x 8 3/8 in
26.4 x 21.3 cm
This work is included in the Alan Klinkhoff Gallery Frederick Taylor Inventory, no. 1217Sold -
Horatio WalkerBoat at Low TideMixed media4 7/8 x 4 in
12.5 x 10 cmSold