Alan Klinkhoff Gallery is proud to host this exhibition and sale of works on paper by various Canadian artists. Among our growing community of collectors are a number of enthusiasts who have a particular interest specifically within this category of fine art collecting. The appeal is that at this stage in the artistic process, in many instances, the artist reveals what our late friend, the important Canadian artist, Claude A Simard, referred to as “the input” in the evolution of the artwork. (The final work, conceivably in oils, Claude called the “output”.) There is indeed certain excitement to genuinely “feel” the hand of the artist at the genesis of his/her work. With our magnificent Clarence Gagnon pastel we see a mature transition, well beyond the inception of the concept, and just prior to applying paint to canvas. The etchings, aquatints and serigraphs demonstrate an "output", achieved by a lengthy and disciplined creative process.
Collecting works on paper is a niche which allows enthusiasts to acquire fine works of art at relatively modest prices. We encourage your purchases .
For any additional information or to make a purchase, we invite you to contact us by email at info@klinkhoff.ca or by telephone to one of our galleries.
Montreal 1-514-284-9339 1448 Sherbrooke St. West |
Toronto 1-416-233-0339 190 Davenport Road |
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Property of a Distinguished Family, Westmount, Quebec
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James Wilson MorriceGarden, Antwerp, Looking Toward The Cathedral of Our Lady from across Scheldt River, 1906 (circa)Pencil drawing6 1/2 x 4 1/2 in
16.5 x 11.4 cmSold -
James Wilson MorriceVenetian Girl, 1894 (circa)Pencil drawing6 x 4 in
15.2 x 10.2 cmSold -
Paul CaronVillage Scene near Baie St. Paul, Qué.Graphite drawing
10 3/8 x 15 in
26.4 x 38.1 cmCAD 1,000 -
Jean Paul LemieuxL'île d'Orléans, 1934 (circa)Watercolour9 1/4 x 11 1/4 in
23.5 x 28.6 cmSold
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Walter BakerHabitants. Ste Anne de Bellevue, MontrealWatercolour and pen3 3/8 x 4 7/8 in
8.5 x 12.5 cmCAD 400 -
Herbert RaineChamplain Market Square, QuebecPencil drawing8 1/4 x 5 1/4 in
21 x 13.5 cmSold -
Herbert RaineOld House. Champlain Market, Quebec.Pencil Drawing7 1/8 x 5 1/8 in
18 x 13 cmSold -
Herbert RaineSt. Sulpice Street, MontrealPencil drawing10 5/8 x 8 1/4 in
27 x 21 cmSold
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Clarence A. GagnonÉglise de St. Urbain, Charlevoix, 1920 (circa)Pencil drawing5 1/2 x 8 1/4 in
14 x 21 cmSold -
Robert PilotQuebec, View from Levis, 1926Etching8 x 12 in
20.3 x 30.5 cmSold -
Clarence A. GagnonRipon Cathedral , 1909Etching5 1/2 x 8 1/4 in
14 x 21 cmSold -
Clarence A. GagnonMaison canadienne, Baie St-PaulMonotype3 1/8 x 4 3/8 in
8 x 11 cmSold
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Clarence A. GagnonVillage in the Laurentian Mountains / Laurentian Village, 1925Pastel24 x 34 inThis is an extraordinary opportunity to acquire an important work of large scale in the medium of pastel, one in which Gagnon excelled. The importance of Clarence Gagnon to the canon of Canadian art is emphasized by the illustration of his painting Old Houses, Baie-Saint-Paul on the cover of the catalogue, Canada and Impressionism: New Horizons. [1] The exhibition presently on at the National Gallery of Canada (until July 3, 2022) is a “must see,” a blockbuster, a presentation of Canada’s foremost impressionists led by...
61 x 86.4 cmSoldThis is an extraordinary opportunity to acquire an important work of large scale in the medium of pastel, one in which Gagnon excelled. The importance of Clarence Gagnon to the canon of Canadian art is emphasized by the illustration of his painting Old Houses, Baie-Saint-Paul on the cover of the catalogue, Canada and Impressionism: New Horizons. [1] The exhibition presently on at the National Gallery of Canada (until July 3, 2022) is a “must see,” a blockbuster, a presentation of Canada’s foremost impressionists led by...
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AnonymousLooking East to Place D’Armes on Notre-Dame Street, a 20th century drawing, presumably copied from an engraving of a 19th century scenePencil drawing11 3/4 x 10 3/8 in
30 x 26.5 cmCAD 200 -
AnonymousNotre-Dame Street at Place d’Armes Looking East, a 20th century drawing, presumably copied from an engraving of the circa 1807 scenePencil drawing11 3/4 x 10 3/8 in
30 x 26.5 cmCAD 200 -
AnonymousPlace d’Armes, Montreal, a 20th century drawing, presumably copied from a 19th century engravingPencil drawing12 5/8 x 11 1/8 in
32 x 28 cmCAD 200 -
Unidentified ArtistExtensive RiverscapeWatercolour9 1/8 x 13 3/8 in
23 x 34 cmCAD 500
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Property from Various Private Collections
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David MilneBear Camp V (Baptiste Lake, Ontario), 1950 (circa February 23)Watercolour on paper19 x 25 3/4 in
48.3 x 65.4 cm
This work is included in the David B. Milne Catalogue Raisonné of the Paintings compiled by David Milne Jr. and David P. Silcox, Vol. 2, no. 502.26.CAD 50,000 -
David MilneThe Knitter (Toronto), 1940 (February)Watercolour on paper14 7/8 x 16 7/8 in
37.8 x 42.9 cm
This work is included in the David B. Milne Catalogue Raisonne of the Paintings compiled by David Milne Jr. and David P. Silcox, Vol. 2, no 401.48.CAD 30,000 -
Marc-Aurèle FortinÉtude le Port , 1930 (circa)Watercolour9 3/4 x 14 1/4 in
24.8 x 36.2 cmCAD 10,000 -
Marc-Aurèle FortinLe port (Hochelaga, the Jacques-Cartier Bridge under construction), 1927 (circa)Watercolour38.1 x 55.9 cm
15 x 22 inCAD 17,000
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An Important Missouri Collection
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Frederick B. TaylorEarly Winter, 1947 (November 13)Aquatint6 x 6 3/4 in
15.2 x 17.1 cm
This work is included in the Frederick B. Taylor Catalogue Raisonné of the Etchings compiled by Sophie Gironnay, p.140, no. 05.007.47Number 12 in an edition of 150 proofs.CAD 1,200 -
Frederick B. TaylorErskine Church, 1937Etching7 x 5 1/4 in
17.8 x 13.3 cm
This work is included in the Frederick B. Taylor Catalogue Raisonné of the Etchings compiled by Sophie Gironnay, p.138, no. 05.003.37Not numbered. From an edition limited to 50 proofs. There were 10 states in the development of the work.Sold -
Frederick B. TaylorSt. James Cathedral from the West (or St. James Cathedral, Dominion Square, Montreal), 1948 (April)Etching9 1/2 x 7 1/4 in
24.1 x 18.4 cm
This work is included in the Frederick B. Taylor Catalogue Raisonné of the Etchings compiled by Sophie Gironnay, p.140, no. 05.008.48Trial proofSold
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Frederick B. TaylorLooking up Ste. Cecile Street, Montreal, 1939 (April)Etching
12 1/4 x 7 in
31.1 x 17.8 cm
This work is included in the Frederick B. Taylor Catalogue Raisonné of the Etchings compiled by Sophie Gironnay, p.140, no. 05.005.39Number 26 in an edition of 50 proofsSold -
Frederick B. TaylorIn a Courtyard Between Clark & St. Lawrence Blvd, 1948 (March 3)Aquatint6 x 5 3/4 in
15.2 x 14.6 cm
This work is included in the Frederick B. Taylor Catalogue Raisonné of the Etchings compiled by Sophie Gironnay, p.154, no. 09.003.48Intended to be an edition of 100 proofs, of which he printed only 48. There were 10 states in the development of the work.Sold -
Frederick B. TaylorSt. James Cathedral, Mtl., Winter (Blue), 1956 (July)Serigraph19 7/8 x 14 in
50.5 x 35.6 cmFrom an edition of 100 proofs.CAD 550 -
Frederick B. TaylorSt. James Cathedral, Mtl., Winter (Pink), 1957 (July)Serigraph14 x 18 in
35.6 x 45.7 cmFrom an edition of 100 proofs.CAD 550
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Property of A Montreal Collector
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Property from Various Private Collections
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Clarence A. GagnonDetail of illustration in Maria Chapdelaine (page 198), 1933Mixed media
7 x 3 in
17.8 x 7.6 cmCAD 15,500 -
Clarence A. GagnonStudy for Maria Chapdelaine p. 42 - Étude pour Maria Chapdelaine p. 42, 1930 (circa)Mixed media
8 1/4 x 8 3/4 in
21 x 22.2 cmCAD 25,000 -
Jean DallaireNature morte, 1952Gouache9 1/4 x 6 3/4 in
23.5 x 17.1 cmCAD 5,000 -
Jean DallaireNature morte, 1952Gouache9 x 6 in
22.9 x 15.2 cmCAD 5,000
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Atelier de Marc-Aurèle Suzor-CotéLe pere St-Onge , Curran, Ontario, Surnomme le fort de brasCharcoal12 x 12 in
30.5 x 30.5 cmCAD 4,000 -
Charles Ernest De BelleChildrenPastel18 1/2 x 20 5/8 in
47 x 52.5 cm
CAD 2,500 -
John LymanStudy for The Yacht Club, North Hatley, 1948 (circa)Ink on paper10 x 12 1/4 in
25.4 x 31.1 cmSold -
René RichardTrappeurs dans le NordPencil drawing7 1/2 x 19 1/2 in
19.1 x 49.5 cmCAD 2,500
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